SCENIC PARADOX IN THE POETRY OF FADHL KHALAF JABR

Abstract

Scenic irony constitutes an influential creative approach through which the poet revitalizes the text by transforming subtle details into poetic images of profound significance. Its distinctiveness lies in presenting a familiar scene that suddenly shifts into a turning point, compelling the reader to reconsider the underlying meaning. The value of this technique extends beyond its artistic dimension to embody a comprehensive human vision that reflects the poet’s awareness of a world defined by contradictions—joy and sorrow, existence and nothingness. Through this paradoxical structure, scenic irony exposes the fragility of human beings and their struggle with existential anxiety, thereby opening broad contemplative horizons within the poetic text. It transcends the visible image to unveil the tension between what appears and what is concealed. In this sense, scenic irony emerges as both an aesthetic and cognitive device, urging the reader to reflect critically and to participate in uncovering the hidden layers of meaning within poetry.

Conclusion

A close reading of Fadhel Khalaf Jabr’s poetry clearly reveals his consistent reliance on scenic irony as a central artistic strategy. This technique grants his texts both dramatic depth and a condensed poetic imagery. By employing it with remarkable skill, the poet succeeds in exposing the inherent contradictions of political and social realities, while simultaneously articulating the self’s struggle with its surrounding world. His style integrates satire, astonishment, and even sorrow, transforming scenic irony into a deliberate tool for stimulating the reader’s awareness. In this sense, his poetry emerges as a profoundly rich artistic and human experience that merits thorough scholarly investigation.